Bio / Statement

Baptiste Tavernier

Bio

Baptiste Tavernier, born 1981 in France, pursues a creative path that has led him from experimental music through the martial arts of Japan to the painter’s canvas.

Baptiste TavernierBaptiste Tavernier studied at Paris University digital arts and musical composition under Anne Sedes, Horacio Vaggione and José Manuel López López. He took part in several avant-garde musical projects during those years and composed works such as Instants-Faisceaux or 10 Pièces Ephémères. He later released two albums with Japanese shakuhachi player, Sabu Orimo: Sphères (2009) and Kamakura Jūnisō (2012). Tavernier’s main musical influences are:

Baptiste TavernierBaptiste Tavernier’s path took a dramatic virage in 2006 with the decision to move to Japan and immerse himself in martial arts. Within a decade, he reached high ranks in four disciplines of swordsmanship: naginata (halberd), tankendo (short sword), jukendo (bayonet) and battodo (sword drawing and cutting), studied several classical Japanese martial styles and achieved proficiency in the making and repair of kendo armor.  He has written several articles for Japanese journals on the topic of martial arts and budō, and published a book on Miyamoto Musashi. He also studied for several years ikebana, Japanese flower arrangement, and monshō gaku, the Japanese heraldic design. As a (ongoing) side project, he created the kamon knowledge base www.thejapaneseheraldry.com.

In 2010, Baptiste Tavernier sought a fresh creative path and brush in hand, he started to experiment and mix his diverse set of skills onto the canvas…

 

Statement

The labyrinth has served throughout centuries as a symbol marking the centre of the world as well as a metaphor for the city. Rome, Troy, Jerusalem, Arab cities’ souks, Paris and her Catacombs… I continue this tradition and build upon it. However, although the myths that depict the labyrinths generally refer to long-lost civilisations, the world I portray is often set in a distant future, a possible result of the sum of the choices made by modern societies. Depraved cities and post-humans are usually its central character.

Baptiste Tavernier
NYC 33 Years After Trump

In my series “Derelict / Black”, I try to address the impact of human decisions on our lives and our environment. Social and political missteps, careless urbanisation at the expense of nature, blind consumerism… My drawings embody our delusions into a metaphoric confrontation between forsaken cities and a black plague of unknown origin. The lines I draw unfurl into mazes that restructure familiar territories, from which a surreal and forlorn universe emerges.

baptiste Tavernier
Infinity Girl ro-802

I have recently been working on a series of portraits that depict the posthumans sheltered in my desolated cities. Foreseeing societies that have achieved a certain level of transhumanism, I envisage the merging of networks and people self-diluting into a maze of data and information. Post-humans roam through rubble of concrete and steel, and wander the virtual vastitude fearing its ubiquity.

Ruined cities hiding forsaken societies might sound a pessimistic vision of our world, but actually I do not interpret it as such. I see it as a form of catharsis and as a catalyst to a new consciousness of the catastrophic environmental and moral trajectories that leaders around the world now seem to set us on with reckless abandon.

 

Baptiste Tavernier’s Exhibitions

# Solo Exhibitions

2017-11; Erring Ways — Foreign Correspondents’ Club of Japan, Tokyo, Japan
2017-02; Past Corridors — Haohaus Gallery, Taipei, Taiwan
2015-02; Exploring Labyrinths – Gold – — Galleria Farina, Miami, USA.
2014-07; Mazes —  Seikai Resort, Beppu, Japan.

# Group Exhibitions

2017-11; East Meets West — Yuan Ru Gallery, Taipei, Taiwan
2017-02; Apocalyptic nostalgia — Yuan Ru Gallery, Taipei, Taiwan
2016-01; Untitled — FM Gallery, Seoul, South Korea.
2015-07; Kosan no Kai — Lucite Gallery, Tokyo, Japan.
2015-04; 19th Salon Blanc International Exhibition of Contemporary Art — Tokyo Metropolitan Art Museum, Japan.
2014-12; Opposites Attract —  Galleria Farina, Miami, USA.

# Art Fairs

2017-11; Art Square Taipei, Taiwan
2017-07; Art Santa Fe, USA
2017-05; Tokyo International Art Fair, Japan
2017-03; Art Central, Hong Kong
2016-12; Art Square Taipei, Taiwan
2016-09; Rotterdam International Art Fair, Netherlands

# Other Projects

2015-11; Not an Exit — Collaboration with poet Adam Soldofsky for 7×7.la
2012-10; Kamakura Juniso — With Orimo Sabu, Innerside Records, Japan
2009-03; Sphères — With Orimo Sabu and Matsushita Masumi, Innerside Records, Japan
2005-10; Espaces Sensibles — With Anne Sedes and Laurence Marthouret, Le Cube, Issy-les-Moulineaux, France
2005-01; Portées à l’Ecran — With Anne Sedes and Laurence Marthouret, Palais de Tokyo, Paris, France